Dancing Shadows, Epic Tales: Wayang Kulit of Indonesia

Wayang kulit performance of Indonesia, among the oldest and greatest story telling traditions in the world, is said to lie at the heart of Javanese culture. Wayang kulit are flat, elaborately painted and intricately carved and perforated leather shadow puppets that cast dazzling shadows through a cotton screen.

Santa Fe, NM, January 18, 2009 --(PR.com)-- Museum of International Folk Art

Dancing Shadows, Epic Tales: Wayang Kulit of Indonesia

March 8, 2009 through March 14, 2010

Wayang kulit performance of Indonesia, among the oldest and greatest story telling traditions in the world, is said to lie at the heart of Javanese culture. Wayang kulit are flat, elaborately painted and intricately carved and perforated leather shadow puppets that cast dazzling shadows through a cotton screen. Traditional performances last all night, beginning in the evening and lasting to dawn. Wayang Kulit performances are always accompanied by a gamelan orchestra—a traditional Indonesian musical ensemble that includes a variety of instruments such as gongs, drums, metallaphones, xylophones, stringed instruments, and vocalists.

This highly refined and complex art form may be performed to commemorate important rites-of-passage (such as circumcisions and weddings), holidays, national events (such as political elections), and personal accomplishments.

Performances are usually based on classical literature such as the Indian epics, Mahabharata and Ramayana with contemporary issues incorporated into particular scenes. In fact, the Museum of International Folk Art houses George Bush and Saddam Hussein shadow puppets. Important moral, ethical, and philosophical ideas are taught in every show, while entertaining the audience at times with roaring humor and special action-packed scenes.

Dancing Shadows, Epic Tales: Wayang Kulit of Indonesia will introduce the distinct form of wayang kulit found in Central Java. Various aspects of this performance art will be explored, including gamelan, artistic techniques involved in making shadow puppets, the cast of characters, and regional variations of wayang.

The exhibit’s highlight is a 3.5 meter, double sided screen. Much like audiences in Central Java, museum visitors can watch dancing and battling shadows (on video) on one side of the screen and walk around the stage to watch (a video of) the shadow master at work from “behind the scenes.”

Featured in the exhibit will be a full gamelan ensemble and the Museum’s own extraordinary collection of wayang kulit— a full set of over 200 gold and bronze-leafed Surakarta-style, court-based shadow puppets acquired from some of Java’s prominent puppeteers. The puppets will flank the screen to the left and right creating the typical yet stunning arrangement that can be seen at actual performances in Central Java.

Dancing Shadows, Epic Tales: Wayang Kulit of Indonesia opens Sunday, March 8, 2009 from 1:00 to 4:00 p.m., with a reception hosted by the Women’s Board of the Museum of New Mexico. There will be musical gamelan performances and art-making demonstrations. The reception is free to New Mexico residents.

The exhibition is curated by Felicia Katz Harris and will remain on view through March 14, 2010.

For images and additional information about this exhibition and about the Museum of International Folk Art, visit our Media Center at http://media.museumofnewmexico.org/. To download images and text you will need to register (a simple process) if you have not already done so.

Media Contacts
Felicia Katz Harris, Curator
505-476-1221
felicia.harris@state.nm.us

Steve Cantrell, PR Manager
505-476-1144
505-310-3539 – cell
steve.cantrell@state.nm.us

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New Mexico Museum of Art
Steve Cantrell
505-476-1144
http://media.museumofnewmexico.org/
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